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来自天堂的礼物正片

来自天堂的礼物
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主演:
Yuval Segal 拉米·希尔伯格 莫尼·穆索诺夫 利奥尔·阿什肯纳齐 阿尼娅·布克斯坦 Orit Cher
清晰:
正片
类型:
剧情片
地区:
以色列 / 法国
语言:
希伯来语 / 格鲁吉
导演:
杜瓦·科萨史维利
时间:
2022-10-07 14:05:00
年份:
2003
评论:
剧情:
A colorful extreme display of the Israeli director. Matana MiShamayim is quite d… 详细剧情
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来自天堂的礼物剧情简介

A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's &quot;Late Marriage&quot;. The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as ob<x>jects to be used in the patriarchal chauvinistic society they live in. They are ... </span> <a href="ja<x>vasc<x>ript:void(0)" class="j a_show_full">(展开全部)</a> </span> <span class="all hidden">   A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's &quot;Late Marriage&quot;. The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as ob<x>jects to be used in the patriarchal chauvinistic society they live in. They are kidnapped, threatened, locked in a closet and often molested in order to channel shame on their husbands. On the other hand, they are always the center of of attention, encompassing every aspect of desire men have, thus they can control and manipulated men, but only to a certain extent - the head of the family (played by the amazing actor Mony Moshonov).

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      A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's &quot;Late Marriage&quot;. The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as ob<x>jects to be used in the patriarchal chauvinistic society they live in. They are ... </span> <a href="ja<x>vasc<x>ript:void(0)" class="j a_show_full">(展开全部)</a> </span> <span class="all hidden">   A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's &quot;Late Marriage&quot;. The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as ob<x>jects to be used in the patriarchal chauvinistic society they live in. They are kidnapped, threatened, locked in a closet and often molested in order to channel shame on their husbands. On the other hand, they are always the center of of attention, encompassing every aspect of desire men have, thus they can control and manipulated men, but only to a certain extent - the head of the family (played by the amazing actor Mony Moshonov).