• 力荐
  • 推荐
  • 还行
  • 较差
  • 很差
自由古巴
我也要给这影片打分:
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
还行
主演:
里奇·穆勒 凯瑟琳·弗莱明 沃尔夫拉姆·贝格尔 马克·斯切里切特 马夸德·博姆 JörgFriedrich WilfriedGronau AndreaBrose
清晰:
类型:
喜剧片喜剧 剧情 爱情
地区:
德国
语言:
德语
导演:
克里斯蒂安·佩措尔德
时间:
2023-11-30 03:04:41
年份:
1996
评论:
剧情:
Depressing, dark love drama with thin story line, that makes you wonder whether … 详细剧情
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自由古巴剧情简介

Depressing, dark love drama with thin story line, that makes you wonder whether the makers believe in life at all. The male protagonist is constantly running into problems and gets beaten up time and time again, so much so that after a while I could not help laughing, which cannot have been the intention of the makers: they are vèry, vèry serious. The crux of the film seems to be a sharp comment on the money driven German society, in which it is impossible to show any real affection; of course this could be a dilemma of the makers themselves: money is not the problem, but what you do with it. Not forgotten is to include an extreme right wing man whose self-proclaimed purpose in life it is to free the street of socially undesirable elements. It is all very heavy symbolism with no relief, but it is certainly well-made with a script that - as the film progresses - becomes less and less surprising. The two acting leads are good; fine cinematography.

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      Depressing, dark love drama with thin story line, that makes you wonder whether the makers believe in life at all. The male protagonist is constantly running into problems and gets beaten up time and time again, so much so that after a while I could not help laughing, which cannot have been the intention of the makers: they are vèry, vèry serious. The crux of the film seems to be a sharp comment on the money driven German society, in which it is impossible to show any real affection; of course this could be a dilemma of the makers themselves: money is not the problem, but what you do with it. Not forgotten is to include an extreme right wing man whose self-proclaimed purpose in life it is to free the street of socially undesirable elements. It is all very heavy symbolism with no relief, but it is certainly well-made with a script that - as the film progresses - becomes less and less surprising. The two acting leads are good; fine cinematography.